We the Living

[We the Living]
Year: 
1936
Type: 
Public: 
Publisher: 
Signet
Year of publication: 
2021
Pages: 
528
Moral assessment: 
Type: Literature
Nothing inappropriate.
Some morally inappropriate content.
Contains significant sections contrary to faith or morals.
Contains some lurid passages, or presents a general ideological framework that could confuse those without much Christian formation.
Contains several lurid passages, or presents an ideological framework that is contrary or foreign to Christian values.
Explicitly contradicts Catholic faith or morals, or is directed against the Church and its institutions.
Literary quality: 
Recommendable: 
Transmits values: 
Sexual content: 
Violent content: 
Vulgar or obscene language: 
Ideas that contradict Church teaching: 
The rating of the different categories comes from the opinion of Delibris' collaborators

Ayn Rand (Russia, 1905 - USA, 1982), known for her atheism and liberalism, which led her to formulate a radical critique of Soviet reality. As she herself states, it is a novel about man against the State, a story about dictatorship, a critique of the existence of man for the benefit of the State. This work was made into a film in fascist Italy, but the Nazi government of Germany demanded its destruction, as they understood that behind the critique of the Soviet Union there was a critique of any totalitarianism.

Through a group of people living in St. Petersburg, the impact of the revolution on society is exposed, denouncing how the shift from submission to the tsars to submission to the party had occurred, without experiencing the triumph of freedom and equality. Thus, various criticisms of the old society appear, also in its religious dimension, but especially of the society that was born in 1917 and that the author knew firsthand, until she was able to exile herself to the United States.

The new Soviet morality, with its rejection of any bourgeois manifestation, appears in descriptions of a lifestyle where adultery, a thirst for luxury, and contempt for life abound. The animalization of the person is criticized, but it is justified by the abolition of dignity. The author gathers a set of complex psychologies that mature and develop in a limiting situation.

Written in 1936, in these times of populism that we live today, it surprises with the relevance of its approach, the speeches echoing a century later by some politicians, and its vibrant ethical tension.

Author: Manuel Martínez, Spain
Update on: Aug 2021

Other review

Moral Assessment: 

A wonderful novel by the Russian author, who became a U.S. citizen, written in 1936 about Russia after the 1917 Revolution. It is a description, with autobiographical tones, of what those years of leader worship, banners, posters, propaganda, and, above all, fear, were like. Fear of living, speaking, listening… fear of your neighbors, coworkers, and accusations. Fear of a police force that would arrive, usually at night, and you wouldn’t know if you would be able to return to your loved ones.

In a social change that led to poverty, lack of basic needs, loss of freedom, and the birth of a new class: the chosen members of the party. Many people resisted and refused to accept the new ideology, but most ended up retreating and changing their way of thinking; survival at any price was necessary. Others, few in number, those who could not exile themselves, continued to dream of the Russia that was, hoping that this ordeal would soon end or awaiting the arrival of a Messiah, as they lived in the world of the Antichrist.

The novel portrays the love relationship of Kira Argunova, from a liberal bourgeois family, with her boyfriend Leo Kovalenski, son of a famous white military officer, and Andrei Taganov, a young student from a working-class family, a member of the Communist Party and a renowned Communist leader. The author reflects herself in Kira, who is willing to do anything to save her sick fiancé in a world of speculators, nostalgic for parties, fanatics of the new regime, and detractors who coexist in pages that bring to life the characters' life and death from the great Russian novels.

Author: Francisco Forriol, Spain, 2025