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The Wicked King

[The Wicked King]
BLACK, Holly
Year: 
2019
Tags: 
Literature - Fantasy
Type: 
Fiction
Public: 
Young Adults
Publisher: 
Hot Key
Year of publication: 
2019
Pages: 
353
Moral assessment: 
Literary quality: 
Recommendable: 
Transmits values: 
Sexual content: 
Violent content: 
Vulgar or obscene language: 
Ideas that contradict Church teaching: 

After the shocking events of the first book, Jude Duarte has achieved an unprecedented position of power in the Faerie Court, binding King Cardan to her will for a year and a day. While trying to govern from the shadows, she must deal with constant political betrayals, the threat of a war with the underwater kingdom, and her own unstable relationship with Cardan, marked by deep mistrust and a growing attraction that both try to deny.

The author demonstrates great skill in handling suspense and plot twists, keeping the reader on edge. The characters’ development is consistent with their hostile environment; the prose is agile and successfully conveys the oppressive and decadent atmosphere of the court. It is a sequel that, narratively, lives up to the first book.

On a moral level, the novel delves into ambiguity and amorality. The plot revolves around control and manipulation; the protagonists act out of ambition and distrust. Love is presented mixed with hatred and a desire for possession, reinforcing a view of affection in which vulnerability is considered a dangerous weakness and betrayal is the usual currency.

For young readers, it is necessary to warn about the normalization of views contrary to Christianity: on one hand, it normalizes affection based on manipulation and power games, presenting it as an intrinsic component of romantic passion; as well as the use of systematic deception as a necessary virtue for success. Moreover, the world is presented from a purely immanent and ruthless perspective, normalizing a view of life where justice is merely the result of strength and man is alone in a universe of amoral beings, without references to mercy or a higher moral law that transcends survival.

Although it does not contain constant explicit sexual scenes, it does normalize a form of affection in which anything goes (including sexual ambiguity and the use of the body as a political tool) in a world without God.


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